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[Mar. 7th, 2008|01:04 am] |
Nerdie boy (12:31:41 AM): and i just rubbed lube all over the cat
Nerdie boy (12:31:42 AM): LOLLLLLLLLLLLL
brdr123 (12:32:01 AM): what!?!
brdr123 (12:32:02 AM): gross
Nerdie boy (12:32:07 AM): hahaha
Nerdie boy (12:32:36 AM): hes very slick now
brdr123 (12:46:33 AM): haha no really
brdr123 (12:46:36 AM): why did u do that?
Nerdie boy (12:59:16 AM): because i wanted to see what would happen
Nerdie boy (12:59:25 AM): i thought he would come out really sleek and sexy
Nerdie boy (12:59:37 AM): instead he just look like ms hill with her frize ease
Nerdie boy (12:59:45 AM): isnt that just what frize ease is
Nerdie boy (12:59:46 AM): lube
brdr123 (12:59:54 AM): hahahahahahahahahahahahahah
brdr123 (12:59:55 AM): no
brdr123 (12:59:58 AM): well maybe
brdr123 (1:00:00 AM): but it works
brdr123 (1:00:04 AM): ms hill had gell in her hair
Nerdie boy (1:00:47 AM): no it was frize ease
brdr123 (1:00:55 AM): how do u knowwwwww?
Nerdie boy (1:01:06 AM): because it eased her frize |
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[Mar. 2nd, 2008|01:20 am] |
Things I realized this week
1. People are nice. People also suck.
2. No one is intrinsically interesting.
3. Caffeine is not a sufficient solution to a week full attempted suicide of an acquintance, a full time job, three classes, design work, party, and the ordinary stresses of near-quarter-life.
4. I don't deserve anything except that which I get with my own efforts.
5. I should aim for excellence but be proud nonetheless when it comes out merely competent.
6. I am an adult. (This revelation came when I discovered I no longer had the desire to write long-winded, narcissistic posts about my admittedly banal existence.)
7. I should always do what I know in my heart to be the right thing.
8. Life is tough and it's going to get tougher (not that I am as of yet a model citizen). |
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[Feb. 12th, 2008|10:51 pm] |
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[Feb. 6th, 2008|07:12 pm] |
( <3333 ) |
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[Jan. 27th, 2008|11:25 pm] |
I was making dinner and the cats don't respect me so they kept jumping on the counter while I was cooking.
And so I was forced to lock them in my room, but unbeknownst to me, they diarrheaed under my bed (perhaps as revenge).
Later that day I used the irobot roomba vacuum, and it spread the diarrhea EVERYWHERE (it kind of looked like spreading peanut butter over wonderbread) and it smelled absolutely atrocious.
After mopping the room like 10 times with lavender detergent it no longer smells of shit, but it still smells of cat.
The are no longer permitted in my room. |
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[Jan. 13th, 2008|06:28 pm] |
So I got this umbrella at TJ Maxx, and the sheath was a Red Sox thing. And I think, oh cool. And after I buy it and open it up, I'm shocked to find huge NY letters covering it.
It might not bother me but I'm going to be staying a few blocks from Fenway.
Someone must have switched it.
Who would do such a thing??? |
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[Jan. 8th, 2008|01:04 am] |
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| I'm Thinking Arby's.... |
[Jan. 6th, 2008|11:36 pm] |
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( Not Work Safe ) |
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[Dec. 28th, 2007|03:40 am] |
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[Dec. 23rd, 2007|04:26 pm] |
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[Dec. 16th, 2007|02:27 pm] |
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[Dec. 10th, 2007|06:19 pm] |
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[Dec. 9th, 2007|09:15 pm] |
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I think I may be homeless when I move back to Boston. And jobless. |
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| guess what school is the 4th ugliest college in the US? |
[Dec. 5th, 2007|10:16 am] |
Yes, the alma mater, Brandeis University
"Way-out weird design all over campus. Each building tried to be modern and contemporary with a mix of glass and brick, but it just looks unfriendly and cold. Which is actually a good description of Boston in the winter. I’ve heard from multiple students that say Brandeis is a horrible campus and fairly ugly. And the sad part is they try to mix a contemporary smorgasbord in with a castle! That does not work. And…oh my, a cottage. A demolished cottage with another cottage in the background. So Brandeis is: A modern, contemporary, medival, country college campus. If you’re as confused as I am…"
http://campussqueeze.com/static/20-ugliest-colleges-in-the-USA.html |
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[Nov. 26th, 2007|10:33 am] |
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| I am Bored |
[Nov. 20th, 2007|12:38 am] |
Is that a man???? I think even I would make a better Leeloo.
Hot. |
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[Nov. 6th, 2007|01:34 am] |
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[Nov. 4th, 2007|08:17 pm] |
here is what the australian director of the architecture firm where i work at (who screamed at me on the phone that one time) wrote for an introduction to a master plan report.
i wonder if anyone can possibly make sense of this, because i can't for the life of me.
______ has the potential to become an emblematic public space by simultaneously learning the significant lessons of history and having the courage to forget them in the creation of a space suitable for the enactment of contemporary community in all its diverse and often inescapably contradictory expressions.
it must be a space whose only tension is embedded within its surface: a public stage for the theatre of life to be played out in both its everyday scenes and its dramatic collective experiences and its festive celebrations of culture’s diversity and unbound life’s fecundity.
civic squares have traditionally served to contrasting yet complimentary roles in cities. they are the places where the citizens of a place enact and represent their community identity. in contrast they are places where visitors and strangers are greeted, and their community represents itself to strangers.
contemporary civic spaces integrate civic events and cultural activity within a framework of commercial activity that extends from the everyday to the expositional.
the diversity of the spaces is made coherent in time through the memory of events and the accrued enactment of collective experiences.
squares are places that can be vibrant and activity filled, or places of quiet lingering and solitude. they are places of strident as well as of musical expression. they use the night to create another life, complimentary but distinctly different to the day. the significant experiential registers of public art with the sensory and symbolic presence of water should be integrated into a coherent and unified design by a co-operative working and consultative method that will, in its outcome, create the image of a single creative hand.
civic spaces must be inclusive, offering something to every specialist, cultural or national group, where they can proudly express the singularity of identity and their heritage, whilst actively contributing to the creation of new forms of collective community expression. activation of spatial edges and movement pathways creates both the basis of human theatre and the means for its safety.
the variety of spontaneous and organized spectacle within spaces provides the animation that brings them continually to life, engaging different audiences and constituencies. the alliance of material specificity and unique design contribute to the creation of a distinctive and exclusive identity for the square. it must suggest a memory of its specific location whilst simultaneously looking forward, providing an image of the future which can also suggest comfort and security in change.
digital and screen media are part of our everyday culture and increasingly part of our contemporary understanding of civic activity. so the engagement with digital media; whether through one-to-one communication or in the collective experience of major events, either from around the world or of national interest, demonstrates the vital evolution of public life. the square will be a place where the city’s evolving and emerging identity will be enacted. |
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glenbae's journal